SIRUI ANAMORPHIC LENS 1,6X FULL FRAME 50MM T2.9 Z-MOUNT

Code: 06322FOC

Manufacturer code: -

SIRUI ANAMORPHIC LENS 1,6X FULL FRAME 50MM T2.9 Z-MOUNT. Sirui Anamorphic Lens Venus 1,6x Full Frame 50mm T2.9 Z-Mount Wider than Wider This lens features a 1.6 times squeeze factor. When Shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you´ll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is at premium and immersive as the IMAX format. Frames as You Like Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For ex. if part of an image is redundant, just crop it out without worrying about pixel loss. 50mm A True All-Rounder As the third Eye of shooters, 50mm focal lenght has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horisontal angle of view we´d expect from a 31mm regular lens and a super organic background blur, which help render your storytelling much more nuanced and engaging. Beutiful Oval Bokeh This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics. Vibrant Lens Flares Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. A Maximum Aperture of T2.9 When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control. Cine Lens Housing This lens looks super sleek as the whole barrel is built up of aluminium alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. With a 1/4" screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. Match Perfectly with Full Frame Cameras This lens comes in native mount for RF, L, E and Z mount systems, compatible with such full frame cameras as Panasonic S1H, S5, RED KOMODO, RED V-RAPTOR ST, Canon R5, R6, C70, Sony FX-3, FX-6 and Nikon Z6 and Z7. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.

Typ of Sensor Full Frame

Image stabilization Nėra

Delivery time 5-19 w.d.

Discuss with a consultant in Kaunas

We don't have Klaipėda Address: Birželio 23-iosios g. 23g Working hours: I-V 09:00 - 18:00 VI-VII not working Phone: +370 674 59488

Discuss with a consultant in Klaipėda

We don't have Klaipėda Address: Taikos pr. 17 Working hours: I-V 10:00 - 19:00 VI 10:00 - 14:00 VII not working Phone: +370 604 43972

Producer(?) Link to the official manufacturer website	Sirui
Type
Typ of Sensor	Full Frame
Image stabilization	Nėra
Stabilization
Размер кадра
Delivery time	5-19 w.d.
Weight	1 g
Product codes	06322FOC 6952060025445

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1. How to choose the right lens for a mirrorless camera?

When choosing the right lens for a mirrorless camera, it is important to consider your photography needs and style. First, decide on the resolution and focusing distance you require. For portraits, lenses with a wide aperture, such as a 50mm f/1.8, are often preferred. If you enjoy landscapes, go for a wide-angle lens (e.g., 24mm). To capture distant objects, telephoto lenses (e.g., 70-200mm) are useful. Another important factor is the lens’s light-gathering ability, which affects performance in low-light conditions. A stabilization system can also be important, especially for longer lenses. It’s important to evaluate the build quality of the lens and the manufacturer's reputation. Try out several lenses and consider your future needs to choose the right and long-lasting investment in your photography.

2. Are all lenses compatible with all mirrorless cameras?

Not all lenses are universal for all mirrorless cameras. Different manufacturers may have different mounts, so it is important to check the lens compatibility with your camera. For example, lenses for Canon, Nikon, Sony, and other manufacturers' mirrorless cameras may not be interchangeable without adapters. It is also important to consider the sensor size. APS-C lenses may be disproportionately large for full-frame cameras. Before purchasing a lens, it is advisable to check the manufacturer's compatibility chart and consider the specific requirements of your camera. Adapters can allow the use of third-party lenses, but there may be some loss in functionality or quality.