We introduce you to the lens Sony FE 16mm F1.8 G. With a 16 mm angle of view and F1.8 aperture, the FE 16mm F1.8 G can capture wide-angle imagery with gorgeous background bokeh. This expressive prime G Lens™ is great for scenery, architecture, starry skies, and more. It also offers outstanding close-up capability and precise, quiet AF. The FE 16mm F1.8 G accepts standard 67 mm filters, is compact and lightweight, and is easy to balance on a gimbal.
OUTSTANDING RESULUTION AT UTRA-WIDE 16 mm ANGLE OF VIEW
Two AA (Advanced Aspherical) lens minimize field curvature and astigmatism for stunning image-wide resolution at all apertures. One Super ED (Extra-low Dispersion) glass element and three ED elements suppress chromatic aberration right out to the image periphery, while an optimized coating minimizes flare and ghosting. This is an ideal lens for creating dynamic, spectacularly resolved wide-angle perspectives.
GORGEOUS G LENS BOKEH AND OUTSTANDING CLOSE-UP PERFORMANCE
This G Lens delivers stunning bokeh with its large F1.8 maximum aperture, 11-blade circular iris, and carefully controlled spherical aberration. Close-up performance is excellent with a minimum focus distance of 0.15 m / 0.5 ft and maximum magnification of 0.25x when using AF (0.13 m / 0.43 ft, 0.30x for MF). All of this makes it possible to capture unique wide-angle perspectives with deep, exquisite bokeh.
LARGE-APERTURE ULTRA-WIDE PERFORMANCE IN A COMPACT LENS
The use of aspherical lens elements, including Sony’s high-precision AA (Advanced Aspherical) lens, has made it possible to create a full-frame ultra-wide lens that is a compact 73.8 x 75 mm (3 x 3 inch) and weighs just 304 g (10.8 oz). It is small, lightweight, and mobile while delivering spectacular imaging performance for a wide range of subjects including landscapes, architecture, night scenes, and more.
Two XD (extreme dynamic) linear motors ensure fast, precise AF and tracking. A control algorithm developed specifically for the XD linear motors achieves enhanced response that largely negates delay and vibration that can occur when driving a large focus group, for exceptionally quiet, low-vibration operation. All of this makes it possible to capture important moments when shooting active, fast-moving subjects.
REFINED, STABLE PERFORMANCE FOR MOVIES
Advanced lens technology reduces focus breathing so that changes in angle of view are minimized for smooth movie footage. The breathing compensation function provided in compatible α bodies is also supported, and in-body Active Mode2 image stabilization can make it easy to capture stable wide-angle movie imagery while walking. The lens accepts standard 67 mm filters, and is easy to balance on a gimbal.
COMPREHENSIVE CONTROL AND SOLID RELIABILITY
A focus ring, focus hold button, focus mode switch, aperture ring, and iris lock switch are provided. Alternative functions can be assigned to the focus hold button. The aperture ring provides hands-on control, while a click ON/OFF switch adds versatility. A focus mode switch allows instant autofocus/manual switching. A dust and moisture resistant design and fluorine front-element coating maximise reliability.
SPECIFICATIONS
Lens mount: Sony E-mount
Format: 35mm full frame
Angle of view (APS-C): 83° (* With interchangeable-lens digital camera incorporating APS-C type image sensors)
Maximum aperture: F1.8
Minimum aperture: F22
Maximum magnification ratio: 0.25x (AF), 0.3x (MF)
Dimensions (diameter x length) 73.8 x 75 mm
Weight (approx.): 304 g
Focal length: 16 mm
35mm equivalent focal length (APS-C): 24 mm
Lens construction (groups-elements): 12-15
Angle of view (35mm): 107°
Aperture blades: 11
Circular aperture: Yes
Minimum focus distance: 0.15 m (AF), 0.13 m (MF)
Filter Diameter: 67 mm
Image stabilization (SteadyShot): - (body-integrated)
Teleconverter compatibility (x1.4): Incompatible
Teleconverter compatibility (x2.0): Incompatible
Hood Type: Petal shape, bayonet type
Supplied accessories: lens hood ALC-SH184, lens front cap ALC-F67S, lens rear cap ALC-R1EM
Lens mount (bayonet)
Sony FE
Typ of Sensor35mm full frame
Max Aperture
1.8 F
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1. How to choose the right lens for a mirrorless camera?
When choosing the right lens for a mirrorless camera, it is important to consider your photography needs and style. First, decide on the resolution and focusing distance you require. For portraits, lenses with a wide aperture, such as a 50mm f/1.8, are often preferred. If you enjoy landscapes, go for a wide-angle lens (e.g., 24mm). To capture distant objects, telephoto lenses (e.g., 70-200mm) are useful. Another important factor is the lens’s light-gathering ability, which affects performance in low-light conditions. A stabilization system can also be important, especially for longer lenses. It’s important to evaluate the build quality of the lens and the manufacturer's reputation. Try out several lenses and consider your future needs to choose the right and long-lasting investment in your photography.
2. Are all lenses compatible with all mirrorless cameras?
Not all lenses are universal for all mirrorless cameras. Different manufacturers may have different mounts, so it is important to check the lens compatibility with your camera. For example, lenses for Canon, Nikon, Sony, and other manufacturers' mirrorless cameras may not be interchangeable without adapters. It is also important to consider the sensor size. APS-C lenses may be disproportionately large for full-frame cameras. Before purchasing a lens, it is advisable to check the manufacturer's compatibility chart and consider the specific requirements of your camera. Adapters can allow the use of third-party lenses, but there may be some loss in functionality or quality.
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