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Sigma 35MM f/1.2 DG II ART SONY E

Sigma 35MM f/1.2 DG II ART SONY E
Code: 13235FOC
Manufacturer code: 370965
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Pick up for free in the store in Kaunas (Birželios 23-iosios str. 23g) Liepos 18 d.

Pick up for free in Klaipėda, in the store (Taikos pr. 17) Liepos 18 d.

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DescriptionSigma 35MM f/1.2 DG II ART SONY E description

Sigma 35MM f/1.2 DG II ART SONY E - great made better: the exceptional resolving power and beautiful bokeh of Sigma’s world-leading 35mm F1.2 in a smaller, lighter body. In 2019, Sigma released the 35mm F1.2 DG DN Art, the world's first 35mm mirrorless camera lens with an F1.2 aperture. Six years later, Sigma is proud to introduce its successor, the 35mm F1.2 DG II Art. Designed and engineered with Sigma's latest technology, the 35mm F1.2 DG II Art offers not only improved optical performance, but also greatly enhanced portability thanks to a significant size reduction of approximately 30%. With its improved design, the lens delivers unparalleled rendering power, high-resolution clarity and large, beautiful bokeh in a more portable form. Focus breathing is also effectively minimized, ensuring outstanding results not only in still photography, but also when shooting video. The Sigma 35mm F1.2 DG II Art is an exceptional, uncompromising lens that achieves the perfect balance of optical performance, brightness, compact size, light weight and ease of use.

 

 

 

 

EXTREME SUPPRESSION OF CHROMATIC ABERRATION AND SAGITTAL COMA FLARE

 

The Sigma 35mm F1.2 DG II Art offers even better optical performance than its predecessor, with brilliant clarity throughout the image, even at the fully open F1.2 aperture. The use of SLD glass, highly refractive glass with high anomalous dispersion, and four glass-molded double-sided aspherical elements thoroughly corrects axial chromatic aberration and sagittal coma flare, while significantly reducing the lens size.

 

 
BRILLIANT SHARPNESS AND THE LARGE, BEAUTIFUL BOKEH OF AN F1.2 APERTURE

 

In designing the 35mm F1.2 DG II | Art, Sigma paid special attention to correcting the various optical aberrations that affect image quality. Thanks to these meticulous efforts, the lens delivers brilliant sharpness of the in-focus plane and beautiful bokeh that suppresses color bleeding and double line bokeh. Photographers will appreciate the rich, expressive rendering qualities and the beautiful interplay between the in-focus and out-of-focus areas, especially when shooting wide open at F1.2.

 

 
DESIGNED TO MINIMIZE FOCUS BREATHING

 

Optimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. As a result, changes in field of view are effectively suppressed when the focusing distance is changed, making the lens an ideal choice for professional video use.

 

 

 

 

DESIGNED TO MINIMIZE FLARE AND GHOSTING

 

Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

 

 
BETTER PERFORMANCE, SMALLER SIZE AND LIGHTER WEIGHT THANKS TO THE FLOATING FOCUS SYSTEM

 

The Sigma 35mm F1.2 DG II Art achieves even better optical performance than its predecessor while being approximately 30% lighter and 20% shorter. A key factor behind this is the adoption of a floating focus design: by allowing the lens groups to move independently of each other, the weight of each lens group has been significantly reduced while simultaneously enhancing optical performance. Additionally, the improved optical design features four aspherical lens elements, high refractive index glass, and thinner lens elements, further contributing to its exceptional performance.

 

 
FAST AND QUIET AUTOFOCUSING WITH DUAL HLA SYSTEM

 

The dual HLA (High-response Linear Actuator) system drives each of the two focus groups by an individual linear motor. In addition, the use of multiple magnets in each motor allows for a compact focus unit design without sacrificing high thrust. Compared to conventional cam-driven systems, the dual HLA system is not only significantly lighter, but also guarantees fast, reliable and quiet autofocusing.

 

 

 

A LONG-LASTING, RELIABLE TOOL FOR PHOTOGRAPHIC EXPRESSION

 

Manufactured and assembled in Aizu, Japan, using high-precision parts made of aluminum, TSC*1 and other materials, the 35mm F1.2 DG II | Art is a sophisticated and durable photographic tool designed according to Sigma’s Art line specifications. *1. TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts, which contributes to high quality product manufacturing.

 

 
A WEALTH OF SHOOTING ASSIST FUNCTIONS

 

The lens features an AFL button that can be assigned a variety of functions on compatible cameras. In addition, the aperture ring can be locked with the dedicated lock switch and changed from clicked to declicked with the dedicated click switch.

 

 
DUST- AND SPLASH-RESISTANT STRUCTURE*1 AND WATER- AND OIL-REPELLENT COATING

 

In addition to a dust- and splash-resistant structure, the front element of the lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments. *1. The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

 

 

 

 

PETAL-TYPE HOOD WITH LOCKING MECHANISM

 

The Sigma 35mm F1.2 DG II Art comes with a dedicated petal-type hood that shields the front element from stray light to reduce the chance of unwanted flare. The hood attaches securely to the lens with a locking mechanism.

 

 
SPECIFICATIONS

 

Lens Mount: Sony E-mount

Sensor Format: Full-frame [DG]

Lens Construction: 17 elements in 13 groups (1 SLD and 4 aspherical lens elements)

Angle of View: 63.4°

Number of Diaphragm Blades: 11 (rounded diaphragm)

Maximum Aperture: F1.2

Minimum Aperture: F16

Minimum Focusing Distance: 28 cm

Maximum Magnification Ratio: 1:5.3

Filter Size: φ72mm

Dimensions (Diameter × Length): φ81.0 mm x 113.4 mm. *The length of a lens is measured from the front of the lens to its mount.

Weight: 750 g

Supplied Accessories: Pouch, Lens Hood LH782-04, Front Cap LCF-72 IV, Rear Cap LCR III

 

 

Sigma

Lens mount (bayonet) Sony E

Typ of Sensor Full frame

Max Aperture 1.2 F

Discuss with a consultant in Kaunas

We don't have Klaipėda Address: Birželio 23-iosios g. 23g Working hours: I-V 09:00 - 18:00 VI-VII not working Phone: +370 674 59488
Kaunas

Discuss with a consultant in Klaipėda

We don't have Klaipėda Address: Taikos pr. 17 Working hours: I-V 10:00 - 19:00 VI 10:00 - 14:00 VII not working Phone: +370 604 43972
Klaipėda
Specification
Producer(?) Sigma
Lens mount (bayonet) Sony E
Type
Typ of Sensor Full frame
Max Aperture 1.2 F
Min aperture 16 F
Focal length Movie 35 mm
Diagonal Angle of View 63.4 °
Minimum Focus 28 cm
Stabilization
Размер кадра
Filter size 72 mm
Diameter 81 mm
Lens Shade LH782-04
General
  Warranty 24 months
  Dimensions (length) 113.4 mm
  Color black
Korpusas
  Construction
  Weight 750 g
  Dimensions (mm) φ81.0 mm x 113.4 mm
Product codes

13235FOC 370965 085126370657

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1. How to choose the right lens for a mirrorless camera?

When choosing the right lens for a mirrorless camera, it is important to consider your photography needs and style. First, decide on the resolution and focusing distance you require. For portraits, lenses with a wide aperture, such as a 50mm f/1.8, are often preferred. If you enjoy landscapes, go for a wide-angle lens (e.g., 24mm). To capture distant objects, telephoto lenses (e.g., 70-200mm) are useful. Another important factor is the lens’s light-gathering ability, which affects performance in low-light conditions. A stabilization system can also be important, especially for longer lenses. It’s important to evaluate the build quality of the lens and the manufacturer's reputation. Try out several lenses and consider your future needs to choose the right and long-lasting investment in your photography.

2. Are all lenses compatible with all mirrorless cameras?

Not all lenses are universal for all mirrorless cameras. Different manufacturers may have different mounts, so it is important to check the lens compatibility with your camera. For example, lenses for Canon, Nikon, Sony, and other manufacturers' mirrorless cameras may not be interchangeable without adapters. It is also important to consider the sensor size. APS-C lenses may be disproportionately large for full-frame cameras. Before purchasing a lens, it is advisable to check the manufacturer's compatibility chart and consider the specific requirements of your camera. Adapters can allow the use of third-party lenses, but there may be some loss in functionality or quality.