Nikon Z5 II + Nikkor Z 24-70mm F/4 S

Nikon Z5 II + NIKKOR Z 24-70mm f/4 S – Full-Frame Kit with a High-Quality S-Line Lens

Nikon Z5 II + NIKKOR Z 24-70mm f/4 S is a full-frame mirrorless camera kit for those who want not only a versatile focal length range, but also higher optical quality. This kit combines the modern Nikon Z5 II camera body with the compact, reliable and highly versatile NIKKOR Z 24-70mm f/4 S lens.

It is a great choice for photographers looking for a more serious everyday kit for travel, portraits, events, family photography, landscapes, product photography, content creation and video work. The 24–70mm focal length range is one of the most versatile in photography – wide enough for surroundings, people, details and everyday situations.

The Nikon Z5 II features a 24.5 MP full-frame FX sensor, EXPEED 7 image processor, advanced autofocus, in-body image stabilisation and 4K video capabilities.

 

WHO IS IT FOR?

 

The Nikon Z5 II + 24-70mm f/4 S kit is made for those who want a high-quality full-frame camera with a versatile, higher-class lens. This is not just a basic starter kit – it is a well-balanced choice for users who want better optics and strong image quality from day one.

This kit is especially suitable for:

– portrait photography;
– events and celebrations;
– travel;
– family photography;
– landscapes;
– product and object photography;
– social media content;
– YouTube, Reels and short videos;
– photographers moving from the Nikon DSLR system;
– those who want a quality first full-frame kit.

If you are looking not for maximum zoom reach, but for better optical quality, more consistent results and a universal 24–70mm range, this kit is a very logical choice.

 

 

KEY ADVANTAGES

 

Full-frame Nikon Z5 II image quality

The 24.5 MP FX-format sensor allows you to capture detailed photos, natural colours, beautiful background blur and good results in lower-light conditions.

 

NIKKOR Z 24-70mm f/4 S lens

This is a versatile standard zoom lens suitable for a wide range of photography – from travel and portraits to events, family moments and product photography.

 

S-Line optical quality

The NIKKOR Z 24-70mm f/4 S belongs to Nikon’s S-Line series, which means it is designed for higher image quality, good sharpness and reliable results in different situations.

 

Constant f/4 aperture

Unlike variable-aperture lenses, this 24–70mm lens keeps a constant f/4 aperture throughout the entire zoom range. This is useful for both photography and video, because exposure remains more stable when changing focal length.

 

Practical focal length range

24mm is useful for wider scenes, interiors and travel. The 35–50mm range works well for everyday and documentary-style photography. The 70mm position is useful for portraits, details and closer framing.

 

EXPEED 7 processor

The Nikon Z5 II uses the EXPEED 7 processor, which improves autofocus, subject detection, overall camera speed, colour processing and video performance.

 

Suitable for both photo and video

This kit is well suited for hybrid creators who want to produce both still images and video content with one camera.

 

 

 

 

WHY CHOOSE THE 24-70MM F/4 S KIT?

 

The 24–70mm focal length range is one of the most universal choices in photography. It covers the most commonly used range, allowing you to photograph many different situations with one lens.

This lens is suitable for:

– wider travel shots;
– city scenes;
– portraits;
– events;
– family sessions;
– everyday moments;
– product photos;
– video content.

Compared to the 24–200mm kit, this option does not offer the same long zoom reach, but it provides higher-class S-Line optics and a constant f/4 aperture. It is a good choice for those who value quality, consistent results and a classic working zoom range.

 

 

HOW DOES IT PERFORM IN REAL LIFE?

 

In practical use, this kit is very convenient when you want one serious lens for many tasks. At 24mm, you can capture wider scenes – travel, interiors, landscapes or group photos. The middle range is excellent for everyday photography, street scenes and documentary-style shooting. The 70mm end allows you to photograph people, details and closer subjects more naturally.

For portraits, this kit gives a more natural perspective, especially when using the longer focal length. At events, the 24–70mm range allows you to quickly adapt to different situations – from a wider overview to a specific person or detail. For travel, it is a very convenient lens when you want quality results without constantly changing optics.

For video creation, the constant f/4 aperture is very useful because exposure feels more consistent while filming and zooming. This is especially relevant for social media content, travel videos, interviews and short promotional clips.

 

 

NIKON Z5 II + 24-70MM F/4 S OR BODY ONLY?

 

Choose Nikon Z5 II Body if you already own Nikon Z lenses or plan to buy specific prime or professional lenses from the beginning.

Choose Nikon Z5 II + NIKKOR Z 24-70mm f/4 S if you want to have a high-quality, versatile and more serious lens right away. This kit lets you start shooting immediately and is suitable for many real-life situations without additional purchases.

It is a very good choice for those who want not only the camera body, but also a reliable lens for everyday work.

 

 

NIKON Z5 II + 24-70MM F/4 S OR 24-200MM KIT?

 

Both kits are versatile, but they serve different needs.

The 24-200mm kit is better for travel when the main priority is having the widest zoom range possible and one lens for almost everything. It is convenient for holidays, hiking, city trips, nature and situations where you do not want to change lenses.

The 24-70mm f/4 S kit is better for those who want higher-quality optics, a constant f/4 aperture and a classic standard zoom range. It is a stronger choice for portraits, events, video, everyday work and situations where image quality matters as much as coverage.

If flexible zoom reach is most important, choose the 24–200mm. If optical quality and an S-Line lens matter more, choose the 24–70mm f/4 S.

 

 

NIKON Z5 II + 24-70MM F/4 S OR 24-50MM KIT?

 

The 24-50mm kit is more compact and lighter. It is a good option for users who want the smallest possible full-frame setup for everyday use or travel.

The 24-70mm f/4 S kit gives you more flexibility, better optics and a more practical focal length range. The 70mm end is useful for portraits, details and event photography, while the S-Line construction gives a higher-class feel and result.

If you want the smallest possible kit, the 24-50mm version may be enough. If you want a more serious lens for long-term use, the 24-70mm f/4 S is the stronger choice.

 

 

 

WHAT SHOULD YOU CONSIDER?

 

The NIKKOR Z 24-70mm f/4 S is a very versatile and high-quality lens, but its focal length range is not as long as the 24-200mm. If you often photograph very distant subjects, wildlife or sports, you may need an additional telephoto lens in the future.

The f/4 aperture is very practical for everyday use, travel, events and video. However, if you want very strong background blur or shoot in extremely low light, it may be worth adding a fast prime lens later, such as a 35mm, 50mm or 85mm.

Still, as a main lens for the Nikon Z5 II system, the 24-70mm f/4 S is a very well-balanced choice. It offers a strong balance of quality, size, versatility and everyday convenience.

 

 

IS IT WORTH BUYING?

 

Yes, the Nikon Z5 II + NIKKOR Z 24-70mm f/4 S is worth buying if you want a full-frame kit with a high-quality, versatile lens that will remain useful for a long time.

This kit is especially worth choosing if:

– you want a higher-class S-Line lens;
– you shoot portraits, events, travel or family photos;
– you create both photos and videos;
– you want a constant f/4 aperture;
– good optical quality is important to you;
– you want a universal standard zoom lens;
– you plan to use the Nikon Z system more seriously.

It is a very strong choice for those who want not only to buy a full-frame camera, but also to immediately have a high-quality lens suitable for many shooting situations.

 

 

FREQUENTLY ASKED QUESTIONS (FAQ)

Does this kit include a lens?

 

Yes, this kit includes the Nikon Z5 II camera body and the NIKKOR Z 24-70mm f/4 S lens.

 

 

What is the NIKKOR Z 24-70mm f/4 S lens suitable for?

 

This lens is suitable for portraits, travel, events, family photography, landscapes, product photography and video creation.

 

 

Is the 24-70mm f/4 S better than the 24-200mm?

 

It depends on your needs. The 24-200mm offers a longer zoom range, while the 24-70mm f/4 S is more focused on higher optical quality, a constant f/4 aperture and a classic standard working range.

 

 

Is Nikon Z5 II + 24-70mm f/4 S good for travel?

 

Yes, this kit is good for travel, especially if you want a high-quality, reliable and versatile lens. If you often need to photograph very distant subjects while travelling, the 24-200mm option is also worth considering.

 

 

Is this kit suitable for portraits?

 

Yes, the 24-70mm f/4 S lens is suitable for portraits, especially when using the longer 70mm focal length. For even stronger background blur, you can later add a fast prime lens.

 

 

Is Nikon Z5 II good for video creation?

 

Yes, the Nikon Z5 II is suitable for video creation. It offers 4K video capabilities, in-body stabilisation and convenient controls for hybrid creators.

 

 

Does the 24-70mm f/4 S lens have a constant aperture?

 

Yes, this lens has a constant f/4 aperture throughout the entire 24–70mm focal length range.

 

 

Can other Nikon Z lenses be used with this camera?

 

Yes, the Nikon Z5 II is compatible with Nikon Z mount lenses. Nikon F mount lenses can also be used with a compatible adapter, although some restrictions may apply.

 

 

 

 

SPECIFICATIONS

 

Type: Digital camera with support for interchangeable lenses
Lens mount: Nikon Z mount
Compatible lenses: Z mount NIKKOR lenses. F mount NIKKOR lenses (mount adapter required; restrictions may apply).
Effective pixels: 24.5 million

Image sensor type: 35.9 × 23.9 mm CMOS sensor (full-frame/FX-format)
Total pixels: 25.28 million
Dust-reduction system: Image sensor cleaning, Image Dust Off reference data (requires NX Studio)

Image size (pixels): [FX (36×24)] selected for image area: 6048 × 4032 (Large: 24.4 M); 4528 × 3024 (Medium: 13.7 M); 3024 × 2016 (Small: 6.1 M). [DX (24×16)] selected for image area: 3984 × 2656 (Large: 10.6 M); 2976 × 1992 (Medium: 5.9 M); 1984 × 1328 (Small: 2.6 M). [1:1 (24×24)] selected for image area: 4032 × 4032 (Large: 16.3 M); 3024 × 3024 (Medium: 9.1 M); 2016 × 2016 (Small: 4.1 M). [16:9 (36×20)] selected for image area: 6048 × 3400 (Large: 20.6 M); 4528 × 2544 (Medium: 11.5 M); 3024 × 1696 (Small: 5.1 M).

File format (image quality): NEF (RAW): 14 bit; choose from lossless compression, high efficiency (high), and high efficiency options. JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available. HEIF: Supports fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available. NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats. NEF (RAW)+HEIF: Single photograph recorded in both NEF (RAW) and HEIF formats.

Picture Control System: Auto, Standard, Neutral, Vivid, Monochrome, Flat Monochrome, Deep Tone Monochrome, Portrait, Rich Tone Portrait, Landscape, Flat, Creative Picture Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon); selected Picture Control can be modified; storage for Custom Picture Controls. * Note: Choice of Picture Controls is restricted to Standard, Monochrome, and Flat when HLG is selected for tone mode during still photography.

Memory card: SD (Secure Digital), SDHC, and SDXC memory cards (SDHC and SDXC memory cards are UHS‑II compliant)
Dual card slot: 2 Secure Digital (SD) cards. Either card can be used for overflow or backup storage, for separate storage of NEF (RAW) and JPEG or HEIF pictures, or for storage of duplicate JPEG or HEIF pictures at different sizes and image qualities; pictures can be copied between cards.

File system: DCF 2.0, Exif 2.32, MPEG‑A MIAF

Viewfinder: 1.27-cm/0.5-in. approx. 3690k-dot (Quad VGA) OLED electronic viewfinder with color balance and auto and 18-level manual brightness controls

Frame coverage: Approx. 100% horizontal and 100% vertical

Magnification: Approx. 0.8× (50 mm lens at infinity, −1.0 m−1)

Eyepoint: 21 mm (−1.0 m−1; from rearmost surface of viewfinder eyepiece lens)

Diopter adjustment: −4 – +2 m−1

Eye sensor: Automatically switches between monitor and viewfinder displays

Monitor: 8cm/3.2in., approx. 2100k-dot vari-angle TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage, and color balance and 15-level manual brightness controls

Shutter type: Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter

Shutter speed: ¹⁄₈₀₀₀ – 30 s (choose from step sizes of ¹⁄₃, ¹⁄₂, and 1 EV, extendable to 900 s in mode M), Bulb, Time

Self-timer: 2 s, 5 s, 10 s, 20 s; 1–9 exposures at intervals of 0.5, 1, 2, or 3 s

Exposure Mode: AUTO: auto, P: programmed auto with flexible program, S: shutter-priority auto, A: aperture-priority auto, M: manual

Exposure compensation: −5 – +5 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV)

ISO sensitivity (Recommended Exposure Index): ISO 100–64000 (choose from step sizes of ¹⁄₃ and 1 EV); can also be set to approx. 0.3, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.7, 1, or 1.7 EV (ISO 204800 equivalent) above ISO 64000; auto ISO sensitivity control available. * Note: ISO sensitivity is limited to 400–64000 when HLG is selected for tone mode.

Autofocus type: Hybrid phase-detection/contrast AF with AF assist

Focus point*: 273 focus points (single-point AF), 299 focus points (auto-area AF). * Number of focus points available in photo mode with FX selected for image area

Video File format: NEV, MOV, MP4

Video Frame size (pixels) and frame rate (RAW video): [FX] 4032 × 2268: 30p/25p/24p. [DX] 3984 × 2240: 30p/25p/24p. * Actual frame rates for 30p, 25p, and 24p are 29.97, 25, and 23.976 fps respectively.

Audio recording device: Built-in stereo or external microphone can be used; sensitivity adjustable; attenuator, frequency response, and wind noise reduction functions

USB: Type-C SuperSpeed USB connector; connection to built-in USB ports is recommended

HDMI output: Type D HDMI connector
Audio input: Stereo mini-pin jack (3.5 mm diameter; plug-in power supported): Audio output/remote cord: Stereo mini-pin jack (3.5 mm diameter). The MC-DC3 remote cord can be used.. * The connector function can be set to either auto switch or fixed to headphones.

Battery: One EN‑EL15c rechargeable Li-ion battery *. * EN‑EL15b and EN‑EL15a batteries can be used in place of the EN‑EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN‑EL15c. EH-8P AC adapters can be used to charge EN‑EL15c and EN‑EL15b batteries only.

Dimensions (width x height x depth): approx. 134 × 100.5 × 72 mm (body only)
Weight: body approx. 700 g with battery and memory card but without body cap and accessory shoe cover; approx. 620 g (camera body only)