Canon RF 50mm F1.4 L VCM - a hybrid lens made for stills and video, this 50mm prime – with a fast f/1.4 aperture, super-sharp optics and helpful filmmaking features – makes an inspired choice for portraits, video and creative storytelling. With its natural perspective, the RF 50mm F1.4L VCM excels in portraits and video, even in low light. Thanks to pioneering Canon technology such as an f/1.4 aperture, Nano USM and VCM focusing for rapid and silent AF, plus advanced optics and dedicated iris control for video, this 50mm prime puts you firmly in control of your creative storytelling.
A CLOSER LOOK AT THE RF 50mm F1.4L VCM
Iris Ring for video: For smooth manual aperture control when filming. Control Ring: For intuitive control over settings. Dust and water-resistant construction: Waterproof rubber on mount, fluorine coating on 1st surface. Iris Ring Lock Release Switch: Lock into the Auto Mode position when capturing photos, or unlock for smooth iris control when capturing videos. Lens Function button: Perform specific focus tasks while shooting. Consistent design: Size and shape matches other hybrid prime lenses in the range. Lightweight convenience: Less weight difference between all lenses in the hybrid prime range. RF Mount: Canon’s advanced lens mount allows faster communication to camera and advanced lens designs. Fluorine coating: A fluorine coating on the lens front element guards against dust. Uniform filter size: Same front filter size on all hybrid primes for greater convenience. Voice Coil Motor (VCM): A VCM moves the internal lens elements faster, for rapid and precise autofocus. Exceptional sharpness: Two aspheric elements and a UD lens with Super Spectra and ASC coatings.
A PROFESSIONAL HYBRID PRIME FOR NATURAL BRILLIANCE
Whether it’s stills or video, this lens will perform in any situation thanks to a fast f/1.4 aperture for great depth of field control, and a 50mm focal length for a natural perspective.
FAST. CREATIVE. RESPONSIVE.
Move the slider from left to right and see how the RF 50mm F1.4L VCM’s fast f/1.4 maximum aperture can transform your vision, with creative depth-of-field control.
EXCEPTIONAL STILLS AND VIDEO PERFORMANCE WITH A NATURAL LOOK
A 50mm focal length offers a natural full frame perspective for photographers. Filmmakers will appreciate minimal focus breathing and a separate Iris Ring1 that delivers smooth manual control. An 11-blade aperture delivers beautiful circular highlights for a cinematic look.
A BRILLIANT CREATIVE PERFORMANCE, EVEN IN LOW LIGHT
Keep on shooting when light levels drop thanks to an f/1.4 aperture for a bright image plus versatile depth-of-field control for optimal highlights. The RF 50mm F1.4L VCM delivers exceptional detail, while its natural perspective makes it ideal for portraits and cinematic video.
A NATURAL CHOICE FOR VIDEO
Move the slider from left to right and see how the RF 50mm F1.4L VCM performs with minimal focus breathing when changing focus.
SPEED AND PRECISION WITH INCREDIBLE SHARPNESS
Enjoy superb image quality thanks to two aspheric elements and a UD lens with Super Spectra and ASC coatings for incredible clarity. A fast Nano USM combined with even faster Voice Coil Motor (VCM) technology delivers rapid yet smooth, precise focusing for both stills and video.
SUPERB RELIABILITY WITH INTUITIVE HANDLING
Work tough in challenging conditions thanks to an L-series design housing high-quality glass elements. A fluorine coating prevents dirt sticking to the front element while a dedicated Lens Control Ring and customisable Lens Function Button bring you personalised control.
A CAREFULLY CONSIDERED, LIGHTWEIGHT DESIGN
Be more agile when you’re shooting. The RF 50mm F1.4L VCM is approximately 40 percent lighter than the RF 50mm F1.2L USM; and being part of the hybrid prime range, it’s ideal when swapping lenses on your video rig.
SPECIFICATIONS
Image Size: Full Frame
Angle of View (Horizontal, vertical, diagonal): 40°, 27°, 46°
Lens Construction (Elements/Groups): 14/11
Special Optics: 1x UD, 2x Aspherical (1x GMo)
Special Features: Iris Ring (Video)
Number of Diaphragm Blades: 11
Maximum Aperture: F1.4
Minimum Aperture F16
Closest Focusing Distance: 0.40 m
Maximum Magnification: 0.15 x
Control Ring: Yes
Image Stabilizer IBIS x OIS: Center 8.5 stops, Corner 7.0 stops
AF Actuator: Nano USM, VCM
Coatings: ASC, Super Spectra
Fluorine: Front
Dust/Moisture Resistance: Yes
Filter Diameter: 67 mm
Max. Diameter x Length: 76.5 x 99.37 mm
Weight: 580 g
Lens mount (bayonet)
Canon RF
Typ of SensorFull Frame
Max Aperture
1.4 F
Discuss with a consultant in Kaunas
We don't haveKlaipėdaAddress: Birželio 23-iosios g. 23gWorking hours: I-V 09:00 - 18:00VI-VII not workingPhone: +370 674 59488
Try it in Klaipėda
HaveKlaipėdaAddress: Taikos pr. 17Working hours: I-V 10:00 - 19:00VI 10:00 - 14:00VII not workingPhone: +370 604 43972
1. How to choose the right lens for a mirrorless camera?
When choosing the right lens for a mirrorless camera, it is important to consider your photography needs and style. First, decide on the resolution and focusing distance you require. For portraits, lenses with a wide aperture, such as a 50mm f/1.8, are often preferred. If you enjoy landscapes, go for a wide-angle lens (e.g., 24mm). To capture distant objects, telephoto lenses (e.g., 70-200mm) are useful. Another important factor is the lens’s light-gathering ability, which affects performance in low-light conditions. A stabilization system can also be important, especially for longer lenses. It’s important to evaluate the build quality of the lens and the manufacturer's reputation. Try out several lenses and consider your future needs to choose the right and long-lasting investment in your photography.
2. Are all lenses compatible with all mirrorless cameras?
Not all lenses are universal for all mirrorless cameras. Different manufacturers may have different mounts, so it is important to check the lens compatibility with your camera. For example, lenses for Canon, Nikon, Sony, and other manufacturers' mirrorless cameras may not be interchangeable without adapters. It is also important to consider the sensor size. APS-C lenses may be disproportionately large for full-frame cameras. Before purchasing a lens, it is advisable to check the manufacturer's compatibility chart and consider the specific requirements of your camera. Adapters can allow the use of third-party lenses, but there may be some loss in functionality or quality.
The website uses cookies, which help you ensure quality of service. Continuing browsing, you agree with fotoaparatas.eu cookies policy.Agree
Reviews
0 average rating (0 votes)